© 2013 T. Westermann

Hizi maki komi - rolled elbow

TORI attacks with his right hand downward and inward to the left forearm of UKE, so there is UKE's left wrist in the flexion of TORI's the elbow. TORI attacks with his right hand downward and inward to the left forearm of UKE, so there is UKE's left wrist in the flexion of TORI's the elbow. During this movement remains TORI's right elbow, which is a little above his right hip, the center of the pivot point. At the same time TORI grips with his left hand on the left arm of UKE, in the amount of the triceps, above his own right hand.

TORI moves his left elbow towards the lower body, UKE is pressed by this movement forward. TORI now tenses his abdominal muscles and lays with all his body weight, on the elbow of the UKE, above his own hands.

The leverage effect starts from the moment when TORI builds the pressure on UKE's elbow.

COMMENT:
It sometimes can happen that it is possible for UKE to turn to his right side to avoid the lever technique. TORI immediately changed the lever technique in the following way:

He debited his left foot and sets the right leg forward, where he turns against the clock to UKE to block UKE. At the same time his right wrist reinforced the pressure on UKE's left elbow and his right angled elbow relies on the left shoulder blade of UKE. The right side of TORI and the left side of UKE have contact.